What goes into writing a great movie script?

Last Updated: 03.07.2025 02:07

What goes into writing a great movie script?

A scene should change valence from beginning to end. Up to down, down to up.

Your primary job is to create situations. Modern actors will fuck up your dialogue, despite whatever your contract says.

A critical function of storytelling is wish fulfillment. This is why video games are so popular. “That protagonist is JUST LIKE ME.”

What options are available for obtaining prescribed medicine if you are in therapy, do not have insurance, but need them for functioning well?

Outline everything. Use story beats. Keep character’s mouths taped up, until they absolutely MUST speak. Write the script and the dialogue at the last minute, after you’ve revised the hell out of the outline.

To develop a unique voice for each character, try interviewing your characters.

Get up there yourself. Be in a movie. Take some acting (not writing) classes. Learn how a trained actor approaches a text. Learn why actors take roles. They do as much if not more than the writer does.

Triple H: WWE bringing R-Truth back after backlash to departure is ‘all part of the show’ - Awful Announcing

Write in reverse time. Major characters need to change polarity; minor characters may remain the same at the end.

Actors give better feedback than writers do.

Make sure to pack enough explosives into the rocket.

Study finds creature that may hold the key to bring limb regeneration to humans - WKRC

Learn to tell a story orally and not through writing. Try telling your story to a friend.

Don’t direct from the page. Everyone, from the director on down, wants to be part of the process of making movies. Let them do their work.

People choose what to see based on the high concept. Make sure to deliver an ending consistent with the high concept -- it is what the audience paid for.

Loneliness is bad for your health—but it may not be as deadly as once thought, new research finds - AOL.com

Only God gets it right the first time. Rewrite everything.

What you leave unwritten is as important as what you write. SUBTEXT.

Research the facts and then throw away the research.

Do you think Trump is gambling with the lives of millions of people by getting involved in Russia-Ukraine relations?

Primary characters must change polarities. Secondary characters can change less.

Maintain a slush pile/idea file. When you are ready to write, choose the best seeds to plant.

Audiences are smarter than you think. Something about turning down the house lights makes their IQs go up.

Does the fact that the Ukraine war wasn’t ended in 24 hours like Trump promised mean that he either lied or was too dumb to understand that it is more complicated?

Conflict is your power source; without it you have no drama and hence no script.

Leave holes. Write and unwrite. Put it in, take it out.

The DSM 5 is a wonderful character compendium.

What exactly is digital marketing?

Cut everything that is not a payoff, or a setup for a specific payoff. “Omit needless words.” Think about the sparseness of joke telling, or Grimm Brothers.

Use status to help drive conflict. King Lear/fool. Upstairs/downstairs.

All rules are made to be broken, but you damn well better know WHY you’re breaking them.

What is the reason for the high rate of unmarried individuals in America, particularly among males?